Limón’s choreographic works resonate with the human experience. Ranging from dramatic narratives to joyous celebrations to lyrical suites, these masterpieces are a rewarding challenge for dancers and a proven success with audiences around the world.

The reconstructors, all of whom worked with Limón himself, are a unique group of artists. As prominent former Company members, they are a direct link to Limón’s creative process and output, and bring years of performing, teaching, and coaching experience to each staging. In recent years, works have been licensed to Les Grands Ballets Canadiens, Pacific Northwest Ballet, L’Opera de Bordeaux, and Pennsylvania Ballet, and have been staged by Betty Jones, Gary Masters, Jennifer Scanlon, Sarah Stackhouse, Risa Steinberg, Clay Taliaferro, and Nina Watt.

The length of time required to stage a dance varies with the work chosen and the company acquiring it. A typical staging is accomplished within a 4-5 week intensive residency, although the reconstructor may return for final rehearsals before the performance if there is a gap between the initial staging and the performances. The reconstructor, as a representative of the Limón tradition and Foundation, has full artistic control over the production of the dance. While the company covers all production costs, the reconstructor supervises the setting of the work, including the application of the original concept for the stage environment and lighting and costume designs.

Normally, a company acquires a work for three years: performances for the first year are included in the original fee, and performances within the next two years require a royalty payment of $200/performance. The licensing fee includes the reconstructor’s fee, and the host company is responsible for travel, housing, and per diem expenses.